LOCAL 700 IATSE

ACE 2018 INTERN

Expertise

Film/Television Post-Production

Editing

Assistant Editing

Trouble-Shooting

Visual Effects

Color Correction Photo and Video

Sound Editing

Proficiency

Avid Media Composer

Adobe Premiere Pro

Adobe After Effects

Adobe Photoshop

Adobe Audition

Adobe Illustrator

Adobe Encore

Adobe InDesign

DaVinci Resolve

Pro Tools

Final Cut Pro X

Credits

Aquaman and The Lost Kingdom (Warner Bros)

Second Assistant Editor

Provided support for dailies, turnovers to music, sound, VFX, and marketing departments, prepped audience screenings (DCP creation), sound effects editing, VFX comps, solving technical issues in Avid Media Composer 2021, etc.

California King (Glickmania)

Assistant Editor

Produced by Vanishing Angle and Glickmania, handled dailies, turnovers, VFX tracking and comps and stock footage clearances. Prepared for test screenings and Pix screenings.

Behind The Clouds (DISNEY+)

Assistant Editor

Helped sync dailies and did script sync work for multiple editors. Troubleshooted any problems in software. Handled turnovers and final deliveries to sound and color. Produced by Disney+.

Karen (BET)

Assistant Editor

Produced by BET, handled dailies, turnovers, and stock footage clearances. Duties included sound design editing, temp VFX, script syncing, and outputs.

Malignant (New Line Cinema)

Post-Production Assistant

Helped the assistant editors with any daily tasks for Avid Media Composer, handled production paperwork and timecards, helped set up computer systems for at-home workflows during pandemic, assisted in scheduling for post-supervisor.

James The Second (Showcase Entertainment)

Assistant Editor

Ingested and organized on multiple drives, created proxies, synced camera footage and audio, created multicams, performed turnovers (xmls, omfs, etc), onlined footage to high res from color, sound, and VA house, created final outputs. Produced by Abstraction Media.

Endangered (Apple TV)

Assistant Editor 

In addition to being the DIT editor on set, managed all syncing of audio and video, creating proxies, organizing files, performed turnovers (xmls, omfs, etc), onlined footage to high res from color, sound, and VA house, and created final outputs. I also created the assembly cut for the film.

“Say What You Will” by James Blake Music Video (Couscous)

Assistant Editor

Produced by Couscous and shot on film. Duties involved ingesting and syncing footage, preparing turnovers for color and DI, handling outputs, and additional editing.

Radical Media 

Lead Assistant Editor

Was apart of large editorial team for a “Silicon Valley Technology Company” 2020 conference. Handled ingesting of media and prepping individual projects for editors. Turned over sound and color and online final videos for conference.

ATTN:

Assistant Editor

Handled ingesting as well as finishing work for a variety of original content as well as collaborative content with brands and shows (Netflix, Amazon, Adidas, Disney, etc.).

REBL HQ

Assistant Editor

Handled post-production workflows in Avid Media Composer (2018) and Adobe Premiere. Ingested and prepped Dailies for the editor as well as did temp sound and music work. Kept up organization and handling of media.

Blue Hour (AFI)

Editor

Editor for the short film Blue Hour, produced in association with AFI Women in Directing program.

Yugen (Film Independent)

Editor

Editor for the short film Yugen, produced in association with Film Independent’s Project Involve program.

The Gift (HBO APA Visionaries)

Editor

Editor for the short film The Gift, produced in association with Film Independent’s Project Involve program.

Education

Full Sail University 2016 - 2018
Bachelor's Media Communications, 4.0 GPA

Studied varies forms of media from graphic design, editing, website building and garnered experience in production through various positions.